I'm Tess, Southern California, I like music and films and microwaves

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Salar de Uyuni (Bolivia) by night.

"When the night comes, the starry sky reflects on its surface like in a mirror, and you have the feeling of being in space."

(c) I don’t own anything.


EMI quality control room, 1965


Kate Molenkamp
Nuuk, Greenland, 2013


Chungking Express (dir. Wong Kar-wai, 1994)


There’s a moment on Spoon’s new song “Outlier” where Britt Daniel sneaks a sharp splinter of film criticism into one of the tough, terse, personal songs that Spoon is so known for: “I remember when you walked out of Garden State / You had taste, you had taste / You had no time to waste.” Imagine Zach Braff’s face when he hears that song — because you know he’ll hear it. As a guy who was making slick, broadly appealing indie rock in the early ’00s, Daniel probably indirectly made some money off of Garden State, and Joe Chiccarelli, the longtime music-biz insider who co-produced “Outlier,” previously produced the life-changing Shins’ Wincing the Night Away. Point is, that tossed-off dis, really just an aside in the song, is a potential bridge-burner, and most big-indie frontmen in 2014 aren’t in the business of burning bridges, at least not consciously. But Daniel has always carried himself above the fray, with a slight sneer in his voice and a clear sense of purpose in his melodies. And if he wants to say “fuck that” about something, he’s going to do it. That’s a minor moment on Spoon’s new album They Want My Soul, but it’s a telling one, and it shows off the haughty confidence that has always set both Daniel and his band apart. Spoon carry themselves with a certain strut, and it’s been too long since we’ve heard that strut in action.

Stream Spoon’s new album They Want My Soul and read our review…